These devices are used anywhere within his melodic phrases or even while he's comping! So, in brief, John Scofield is not just "picking every note" or "slurring every note", he's always somewhere in between. Technically speaking, John does "something special" with both hands : The left hand adds to the phrasing and articulation with slides, hammer-ons and pull-offs. ![]() Even with his huge melodic and harmonic abilities, the music is never sacrificed. He blends bebop, funk, R&B, gospel, rock and blues music in a very unique way. Scofield's trademark sound and voice are instantly recognizable. ![]() We can say that Sco is one of the "big three" (along with Metheny and Frisell) Playing Style and Gear It would be easier to list who he didn't play with rather than who he did. His collaboration with Miles Davis in the early 80's really put him "on the map" internationally. John studied at Berklee college of music and has played with the "who's who" of the jazz scene since the 70's. ![]() Lots of younger guitarists have studied with John Scofield before he burst unto the international Jazz scene, such as Adam Rogers. His jazz-rock-fusion and funk albums (noticeably with Medesky, Martin and Woods) brought him to the attention of a wider audience of young people. ![]() Jazz guitarist John Scofield is one of the top touring, recording and composing jazz artist of his generation.
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